本帖最后由 哆啦A梦 于 2024-9-2 06:01 编辑
Details
2024 Subscribers: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.
This special limited edition spot gloss slipcover (designed by Kong Kee) is limited to 2,000 units and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.
Named after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!
The idyllic, beach-side life of a retired Triad boss, his daughter Lap (Joey Wong) and her boyfriend Rick (Kenny Bee), shatters when a mob favour turns into a bloody shootout. Trading her freedom for her father’s, Lap becomes mistress to Godfather Shen, while Rick goes into exile. Years later, as Shen unknowingly hires Rick as a hitman, Lap sees her chance at escape, while doe-eyed Triad gofer (Tony Leung) completes the doomed quadrangle.
Directed by the foremost stylist of the Hong Kong New Wave (and a mentor to Wong Kar-Wai), My Heart Is That Eternal Rose is the apotheosis of Patrick Tam’s time within the strictures of the Hong Kong mainstream. Fulfilling commercial requirements while elevating formula with a lush sense of style, My Heart Is That Eternal Rose sings with the painterly cinematography of Christopher Doyle and David Chung as Tam’s dream-like direction bridges the distance between the bullet ballets of a John Woo and the festering darkness of a David Lynch. It the blue jewel in the crown of the Hong Kong heroic bloodshed sub-genre, shining bright to this day.
Presented alongside two episodes from celebrated TV series C.I.D. (1976) directed by Patrick Tam; shot by David Chung; written by Joyce Chan.
Season 1, Episode 3 "Two Teddy Girls"
Two sisters have taken to random muggings to fuel their independence. Without boyfriends and no longer in touch with their family, Officer Sum (Cheung Lui) struggles to track them down.
Season 1, Episode 14 "Dawn, Noon, Dusk, Night"
A rookie cop (Simon Yam) follows up on allegations of child abuse; a jaded officer (Cheung Lui) stakes out buildings for a peeping tom and finds something much darker; a veteran detective (Ho Bik Kin) sadly investiages a violent murder at an old age home; their supervisor (Wong Yuen Sun) struggles to let loose after a long day of being interrogated by the newly formed Independent Commission Against Corruption.
These episodes of C.I.D were originally shot on 16mm reversal film, transferred to betacam in the 2000s and digitized in the early 2010s by Television Broadcasting Company (TVB).
directed by: Patrick Tam
starring: Tony Leung Chiu-wai, Joey Wang, Kenny Bee, Gordon Liu
1989 / 90 min / 1.78:1 / Cantonese DTS-HD MA 2.0
Additional info:
Region A Blu-ray
- 2k Restoration
- New Cantonese Audio Restoration (2024)
- Mandarin Dub
- Interview with John Sham by Arnaud Lanuque (2019, 22 minutes)
- C.I.D. Season 1, Episode 3: Two Teddy Girls (1976, 49 minutes)
- C.I.D. Season 1, Episode 14: Dawn Noon Dusk Night (1976, 49 minutes)
- Interview with actor Simon Yam on C.I.D. (2023, 6 minutes)
- Booklet with new interview with Patrick Tam
- New artwork by Tom Estrera III
- New Limited Edition Slipcover by Kong Kee 江記
- Optional English Subtitles
- English subtitles
|
发表于 2024-9-2 01:43
提升卡
变色卡
显身卡
发表于 2024-9-2 20:40
